When The Urge Trio—saxophonists Keefe Jackson and Christopher Erb alongside cellist Tomeka Reid—performed at the Masterskaya Anikushina in St. Petersburg, Russia, icons of a vanished world surrounded them. As Jackson describes it, this community arts center had been the workshop of Mikhail Anikushin, the 20th Century sculptor who built imposing statues of Soviet heroes. So, the three titles of these open-ended pieces are the word “heroes” in different languages. Adding to the sense of big historical personas, Urge performed at the venue right around the 100th anniversary of the Russian Revolution. But this group does not make its incredible statements using the expected volume of radical armies. Subtle gestures and intuitive communication from three musicians who know each other well shape its music.
This trio’s resourcefulness sounds like they have as much ideas at their fingertips as Jackson’s larger ensembles (like Fast Citizens). Indeed, the absence of some expected instruments seem to encourage Jackson, Erb and Reid to stretch the possibilities of what they do have. A case in point is the upper register dialog featuring soprano and sopranino saxophones (alto is skipped over entirely). On the opener, “Герой,” Jackson and Erb emphasize how their combination of reeds can be intertwined not just alongside each other but also against sharply timed silent passages. Their extended breaths also shape “Eroe.” On that track, Reid highlights the cello’s percussive quality as Jackson and Erb speak volumes through a few sharply placed high-pitched notes. Her lovely dissonant arco lines ignite the opening of “Héros”as she sounds like she is constructing the piece from the bottom up on a moment’s notice. Jackson and Erb’s circular breathing provides the ideal response.
Geographic distance could be a formidable challenge for this trio. Jackson and Reid are Chicago-based although their schedules can keep them far from home. Meanwhile, Erb resides in Switzerland. But none of this has prevented them from touring since 2015 and recording three albums. Still, like their music itself, Jackson would rather not make a huge deal out of what they have had to overcome to get here. He would rather quietly let the music explain itself.
“Your background is just the background, it’s past and this is music of the present,” Jackson said. “The question is: What are we doing now, what’s the result? How does it sound? That trust not just in each other, but trusting the music, trusting the moment and not questioning it too much.”
Soft spoken, but direct: Thinking like a true low-key hero.
—Aaron Cohen
credits
released December 10, 2021
The Urge Trio
Tomeka Reid - cello
Christoph Erb - soprano and tenor saxophones
Keefe Jackson – tenor, sopranino saxophones and bass clarinet
Recorded by Ilia Belorukov on February 18th 2017 at Masterskaya Anikushina, St. Petersburg
mixed by Bill Harris
all music (c) 2017 by
Tomeka Reid – ASCAP
Christoph Erb – Suisa
Keefe Jackson - BMI
Cover by sonnenzimmer
-veto-records/exchange doo3-
Special thanks to: Ilia Belorukov, Konstantin Samolovov, Sergey Kostyrko, Sonnenzimmer - Nadine and Nick, Aron Cohen, Bill Harris
supported by 13 fans who also own ““Heros” Live in St. Petersburg”
Simply amazing to hear a new album with Wadada and Ewart!! ...And Reed rounds out this trio beautifully.
Just gave it my first spin. Absolutely magical. jeffrey maurer
supported by 11 fans who also own ““Heros” Live in St. Petersburg”
So happy to see a new album from this band. I've long been a fan of Mazurek and Parker's work in Tortoise, on top of the CUQ... Anyhow, if you're curious about contemporary jazz, this is a terrific place to start.
Hobie Anthony
supported by 11 fans who also own ““Heros” Live in St. Petersburg”
A very interesting album. At a few places I keep asking myself: Was this composed by Arnold Schönberg (or his disciples)? Anyway, I'm all for skilled musicians exploring the boundary (if one exists) between jazz and classical. Thumbs up! jyrki63